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Classicism, Romanticism and Modernism
Classicism: Sonata Form, Symphony and the Ideal of Order
Haydn, Mozart, and Beethoven: Three Visions of Classicism
The Symphony Orchestra: How It Was Built and Why
Musical Romanticism: Emotion, Nation, and the Individual
Beethoven as Hinge: Between Classicism and Romanticism
Schubert, Schumann, and the Lied: Song as Art
Chopin and Liszt: The Piano as Expressive Weapon
Music and Nationalism: Smetana, Dvořák, Grieg, Sibelius
Wagner and Musical Drama: The Gesamtkunstwerk
Brahms vs. Wagner: The Great Aesthetic Battle of the 19th Century
Verdi, Puccini, and Italian Opera as a Popular Phenomenon
Musical Impressionism: Debussy, Ravel, and the Color of Sound
Blues and Jazz: Africa, America, and the Creation of a New Language
Stravinsky and the Rhythmic Rupture: The Rite of Spring
Schoenberg and Atonalism: When Tonality Dissolves
Bartók, Kodály, and Ethnomusicology as Creative Source
Music in the First and Second World Wars
